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In the late 70s and early 80s, many of the African countries' best musicians were guided by funk and soul. All over the world, disco music was growing harder and some movements appeared in several countries as South Africa, Nigeria, Cameroon or Kenya..

However because of the countries’ pariah status, the vast majority of this music was not heard outside the country, nor ever being released on vinyl abroad.

“African Soul Safari” is a short route brought by NOOBY through some of these soul, boogie, afrodisco and funk tunes from Africa, with some artists as: Harari, Hotline, Jake Sollo, Don Laka, Zohra, Al Etto, Mavis Maseko And The Movers, Pasteur Lappe, Steve Monite or Letta Mbulu.

Secuencia3Radio, enjoy the African sound!

Patrick Steger is not new here, but in case you missed it, he was born in Switzerland in 1980. His passion for the music began in the electronic 90s listening to Detroit techno and Chicago style. As a result, these two became the most important influences for his music.

Patrick works in the historic Orlando Voorn’s label Nightvision, being an active member of the Minimal Detroit Crew too, but his work doesn’t finish there, he’s an old school dj and a pure vinyl lover. His mixes are the perfect example of the classic techno sessions which have that historical and well-known vinyl sound.

As a producer, he’s basically on the same line, with those hypnotic detroit techno rhythms from the 90s and 2000s which can make you dance and don’t let you scape from the dance floor.

https://soundcloud.com/paty-pat
https://soundcloud.com/pat-c-k-master-from-the-k
https://www.facebook.com/Paty-Pat-420768494706783/?fref=ts
https://www.mixcloud.com/patbaron3/

If you say “Dj Arg” you must be talking about acid music. This German producer and DJ knows how it works with more than 20 years of work behind him.

As we told you earlier, he began in electronic music through the collection of cassettes and vinyl records of his brother, and since '94, he has been an active artist, not only in several clubs, but also in the studio.

His productions and sets are based on fat 303 lines together with legendary Roland drum machines 606, 707, 808 and 909. We couldn’t say no to the opportunity to sign a series of regular collaborations that will make us enjoy this historic sound.

“22yr Honestly Acid” is basically the musical testimony of someone who has spent more than two decades of pure love and work in this style.

We could say “enjoy it”, but we're sure you will love it!

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We are back with ISS, the second part of these series which will show you some culture, sophistication and good taste. With that order we introduce you: "Europa" a series program which are focused on the 70s and 80s dance music from the old continent.

This interesting project is signed by Profonda Rossa a.k.a. Marta Liébana and the second episode is titled "ISS", a trip to the International Space Station to listen the space disco genre.

More info at:

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The Spanish artist Hugo BC a.k.a. New Rat On The Block casts an exclusive mix inspired by the Space Disco, Hi-Nrg and Italo Disco. 

This Podcast has a huge wide net from the 70s and 80s, bashing through bangers from German Eurodisco, American Hi-Nrg hits, some cuts from Spanish Sabadell Sound and of course, some classics from the Italo Disco dancefloor.

His mix dips into a range of influences for the project including tracks from Sweet Connection, David Lyme, The Flirts, Magazine 60, Ken Laszlo, Daydream, Digital Emotion…

We have no doubt you will enjoy this musical journey into the bizarre disco’s past.

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Bruno Galarza is an image and sound technician, addicted to warez, and among many other things, Some Randomer. With this a.k.a. the rest of the description would continue as a ”spam speech”, the word Some and Randomer seem to belittle the identity.

He feels more comfortable testing than creating, the experimentation not only defines his mixtapes and productions, but also it takes them to the final consequence. No stereotypes, commonplaces or adherence to the musical genres that are supposed to be inherent to artists of the electronic scene.In the middle of the hardware and physical media consumption in the booth, he uses digital tools because he learnt to mix with software in the 2000s, before democratization and technical advances such as Sync or HotCue.

In this episode, he plays at 160 bpms, something not like his last podcast, with sounds on the line of fractalfantasy, bass, footwork, jungle or breaks.

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