FS100 Picture Profiles

	A	B	C	D	E	F	G	H	I	J	K	L	M	N	O	P
1	Notes:		Frank Glencairn's General Purpose Profile for V2 firmware	Frank Glencairn's famous profile revised for V2 firmware	Frank Glencairn's original profile pulls up blacks and is kind to highlights	Frank's original profile puts pep into dull scenes	Andy Shipsides proves that blacks still hold detail	General corporate PP for easy grading to restore blacks.
2	Setting	GlenColor Ultimate	GlenColor 2.0	G-LOG A 2.1	G-Log A 1.1	G-Log B 1.1	AbelCineNorm	Matt's SafePP	FelixGer	Matt Norfolk	Matt 1	Matt 2	Matt 3	Matt 4	Matt 5	Matt 6
3	Black Level	-2 to +7	-2 to +7	-2 to +7	15	11	-3	5	+4	12	0	3	12	0	0	0
4	Gamma	CineTone 2	CineTone 2	Standard	Standard	CineTone1	ITU709	Standard	CineTone1	ITU709	ITU709	CineTone1	ITU709	ITU709	CineTone1	CineTone2
5	Black Gamma
6	• Range	High	High	High	Middle	High	High	High	High	Middle	Low	High	Middle	Middle	Middle	Middle
7	• Level	7	7	7	7	7	0	7	6	+7	3	+7	+7	0	0	0
8	Knee
9	• Mode	Manual	Manual	Manual	Manual	Manual	Manual	Manual	Manual	Manual	Manual	Manual	Manual	Auto	Manual	Manual
10	• Auto set
11	• • Max Point									95%	100%	100%	95%	95%	100%	100%
12	• • Sensitivity									Middle	Middle	Middle	Middle	Middle	Middle	Middle
13	• Manual set
14	• • Point	80	105	105	80%	90%	85%	95%	90	90	90%	90%	80%	95%	100%	100%
15	• • Slope	1	5	0	-2	2	-2	-3	+1	-2	+2	+2	-2	0	0	0
16	Colour Mode
17	• Type	CineTone 2	CineTone 2	Pro	ITU709	CineTone2	CineTone1	Pro	CineTone2	Pro	ITU709	CineTone2	Pro	ITU709	CineTone1	CineTone2
18	• Level	8	8	8	8	8	8	8	-6	8	6	8	8	8	8	8
19	Colour Level	-2	-2	-2	-2	-2	-3	-2	-1	+1	0	-3	-3	0	0	0
20	Colour Phase	-7	0	-7	-7	-7	0	0	-2	0	-1	-1	-2	0	0	0
21	Colour Depth
22	• R	-3	7	-3	6	6	-2	-2	-2	-4	-4	-3	-4	0	0	0
23	• G	2	4	2	0	2	-6	-6	0	-4	-4	-3	-4	0	0	0
24	• B	5	7	5	6	6	-7	-7	0	-4	-4	-3	-4	0	0	0
25	• C	0	7	0	5	5	0	0	0	-4	-4	-3	-4	0	0	0
26	• M	0	4	0	6	6	+2	+2	0	-4	-4	-3	-4	0	0	0
27	• Y	0	7	2	5	5	+5	+5	0	-4	-4	-3	-4	0	0	0
28	WB Shift
29	• Filter Type	LB-CC	R-B	LB-CC	LB-CC	LB-CC	LB-CC	LB-CC	LB-CC	LB-CC	LB-CC	LB-CC	LB-CC	LB-CC	LB-CC	LB-CC
30	• LB [Colour Temp]	0		0	-5	-5	0	0	-2	0	0	0	0	0	0	0
31	• CC [MG/GR]	0		0	2	2	0	0	0	0	0	0	0	0	0	0
32	• R Gain	0	-7	0	0	0	0	0	0	0	0	0	0	0	0	0
33	• B Gain	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0
34	Detail
35	• Level	-3		-2	-7	-6	-3	0	0	0	0	0	0	0	0	0
36	• Manual set
37	• • On/Off			OFF	OFF	OFF	OFF	OFF	OFF	OFF	OFF	OFF	OFF	OFF	OFF	OFF
38	• • V/H Balance				0	0	0	0	0	0	0	0	0	0	0	0
39	• • B/W Balance	Type 3			Type 3	Type 3	Type 3	Type 3	Type 3	Type 3	Type 3	Type 3	Type 3	Type 3	Type 3	Type 3
40	• • Limit	7			7	7	7	7	7	7	7	7	7	7	7	7
41	• • Crispening	0			0	0	0	0	0	0	0	0	0	0	0	0
42	• • Hilight Detail	0			0	0	0	0	0	0	0	0	0	0	0	0
43
44	Comment				http://bit.ly/xVeybE	http://bit.ly/xVeybE	AbelCineNorm	Set Highlights to 100, not 107		Better?	Mid lift	Dark	Better?	Crushed	Dark	V crushed
45					Needs lots of grading	For Dull Exts				Lighter blacks			Lighter blacks		Dull
46					Set highlights to 90%	Not quite so extreme									Oversat